Albums:
1 Deftones - Koi No Yokan.
I wrote a review here. My feelings are unchanged.
2 Bloc Party - Four
To be honest, I thought these guys were washed up
after 2008's Intimacy. But this album
dropped the electronic posturing and got back to their rock roots. It's kind of
an uneven album, but there is true beauty in the unevenness--it listens like a
Bloc Party best of album from 2017.
Key tracks: V.A.L.I.S.,
So He Begins to Lie, We Are Not Good People, 3x3,Coliseum, Ketting, The Healing
3 Local H - Hallelujah ,
I'm a Bum
I am just as surprised as you are about the
existence of this entry. Local H dropped off my radar in the late 90s and I was
pleasantly surprised to hear that the years have been good to Scott Lucas, the
only remaining member of the original band. HIAB is a concept album about the
hard knox life in present day Chicago. The songs here chill you like -15 degree
weather, as you wait for the Blue Line, where the next stop is an existential
crisis.
Key tracks: Night
Flight to Paris, Say the Word, Feed a Fever, Paddy Considine, They Saved
Reagan's Brain
4 Tenacious D - Rize of the Fenix
After The Pick
of Destiny, I was pretty pessimistic about the D. I guess that's what
happens when your debut is comedy rock gold. Rize went back to the basics, trimmed the fat and saw Jables and
Rage Kage find their chi once again. This is a great Rock album.
Key Tracks: Low
Hangin Fruit, Deth Starr, Roadie, Throwdown, Rock is Dead, 39
5 Indian Handcrafts - Civil Disobedience
Don't left this band's horrible name fool you, this
is a dynamic album. It's a two-man outfit who picks up where Death from Above
1979 (also an all-time worse band name) left off. It's noisy, chaotic and
beautiful all at the same time. This is a young band to watch.
Key Tracks: Bruce
Lee, Coming Home, Worm in My Stomach, Red Action, Centauri Teenage Riot
6 The Mars Volta - Nocturniquet
One of my favorite bands of the last decade drops
their most accessible album to date. There are some actual attempts at melody
here which goes against the Volta's usual jazz-funk riot. If you don't dig this
one, stay away from the band's awesomely weird backlogue.
Key Tracks: The
Whip Hand, The Malkin Jewel, Aegis, Dyslexicon, Empty Vessels Make the Loudest
Sound, Nocturniquet
7 Beach House - Bloom
Ever since I experienced last year's best film, Drive, I've been a sucker for melodic Electro in the same vein as Chromatics and Kavinsky. Had Beach House dropped
this gem a year earlier, they undoubtedly would have had key songs added to Drive's excellent soundtrack. A great
album to fall asleep to.
Key Tracks: Wild,
Other People, Irene, Troublemaker, New Year, Wishes
8 Bruno Mars - Unorthodox Jukebox
Here is an artist that I never thought would be on
any top list of yours truly. I was very surprised to hear what a more mature Mars confessed to on this one. This album sounds like it could have shared
Billboard top 10 space with Michael Jackson, The Police and Prince--cuz this
disc goes beyond just a tip of the cap to 80s pop-- it sounds like an unknown
gem from 1983 that suffered from a lack of a promotional budget.
Key Tracks: Locked
Out of Heaven, Young Girls, If I Knew, Moonshine, Treasure
9 Silversun Pickups - Neck of the Woods
To me, this band is hit or miss. Sometimes they
sound like Smashing Pumpkins a wee too much. But this album caught my attention
after I heard the lead cut, Skin Graph. The tracks that followed sounded like
the soundtrack to a Stephen King story that takes place at Camp Crystal Lake.
To call this album haunting would be putting that shit lightly.
Key Tracks: Mean
Spirited, Make Believe, Skin Graph, Bloody Mary (Nerve Endings), Gun-Shy
Sunshine, Busy Bees
10 Soundgarden - King
Animal
Probably my most anticipated album of 2012. It
wasn't the disappointment I thought it could be. Reunion albums error on the
side of suck most times, you don't have to look much further than Stooges The
Weirdness and The Eagles atrocious double album of country diarrhea
(Long Road Out of Eden). King Animal is easily one of the best
reunion albums ever, mainly because the band didn't try to reinvent the iPhone.
The music is entrenched in 1994, but the lyrics are so 2012. The album was a
tad uneven with Chris Cornelly ballads mixed in with the rockers, but that is
my only critique.
Key Tracks: Rowing,
Worse Dreams, Non-State Actor, Blood on the Valley Floor, Bones of Birds,
Eyelids Mouth
Honorable Mentions:
Pujol - United
States of Being
Now here is a kid that gets it. Part 90’s pop-punk,
part Tom Waits. Albums like this reaffirm my faith that rock will survive the
wave of synthetic Dubshit that screams, quietly, into earbuds of the lost minds of youth.
Key Tracks: Mission
from God, Made of Money, Diy2k, Reverse Vampire, Dark Knight in Shining Armor
Frank Ocean - Channel
Orange
I came late to the Frank Ocean party. He’s crooner
that isn’t afraid to get weird the Pink Floyd way. Is this world’s first
psychedelic soul album? Probably not. Between Channel Orange and Kid Cudi’s Indicud
(out the first quarter of ’13), Hip Hop is in great hands.
Key Tracks: Pilot
Jones, Sweet Life, Pyramids, Thinkin’ ‘Bout You, Sierra Leone
Top
five albums I first heard in 2012:
1 Wavves - King
of the Beach
I'm a sucker for this new (or old?) lo-fi surfer
rock that has hit the Indie circuit over the last couple of years. Wavves
personifies that sound to a T, with jangly guitars, sex wax fingers and cheep
beer. Super Soaker takes me away to
my youth when I was forced to listen to Janet Jackson and Aerosmith’s Pump.
Key Tracks: Converttiible
Balloon, Idiot, Linus Spacehead, King of the Beach, Super Soaker, Post Acid,
Baseball Cards
2 Film School - Film
School
I loved (and continue to love) the Post-Punk/Shoegaze
revivalists of the Aughts. So much good shit came out of it—Interpol’s any
album, The National’s sad and poetic High
Violet, The Killer’s first album, Bloc Party’s Silent Alarm—just to name the good ones. Somehow, I missed Film
School. How did I miss this band? I blame sports.
Key Tracks: Harmed, On & On, Pitfalls, Breet,
He’s a Deep Deep Lake
3 Fidlar – DIYDUI
(EP)
Fidlar is a force of nature. In the same vein of the
nu-Surf of Wavves, Fidlar has no qualms about admitting to the Lester Bangs theory
about the band The Guess Who, admitting through their music that they are
drunken buffoons. Wake Bake Skate not
only hustles the shortest chorus in maybe rock history, but they do it so
effortlessly and carelessly, it makes you wonder if they might be one of those
bands that burns twice as bright as they drink themselves into oblivion.
Key Tracks: Wake
Bake Skate, Oh, Wait for the Man, Max Can’t Surf
4 Pentagram- Relentless
Boy, am I late to this party. I saw the great
documentary, Last Days Here awhile
back and fell in love with lead singer Bobby Liebling—a washed-up drug addict
enabled by his wealthy parents. It’s a great story about a band I knew nothing
about. There was nice little spotlight put on Relentless at the beginning
of the flick, especially the circular groove of All Your Sins, a song that can keep its own with Black Sabb’s best.
Key Tracks: Relentless,
Sign of the Wolf, All Your Sins, Death Row
5 The Black Keys - Magic Potion
To defend myself, I was actually an early adopter of
the Keys--I had Thickfreakness and Rubber Factory on my hard drive when
John Kerry got an exploratory committee together. But for some reason, I
missed what is now my favorite Keys alum, the aptly-named, Magic Potion.
Key Tracks: Back
Door, Give Your Heart Away, Your Touch, You’re the One (my fav by the band)
Books:
1
Kasher in the Rye: The True Tale of a White
Boy from Oakland Who Became a Drug Addict, Criminal, Mental Patient, and Then
Turned 16-
Although
the title puns itself against one of the great American novels, it nicely
updates the themes to the modern era. Kasher unflinchingly tell the story of
his troubled childhood. It’s great because it doesn’t glorify drug use, but it
doesn’t unglorify it either. Kasher
instead uses drugs as a bailiwick to tell his odd story of recovery. Plus, the
guy knows how to turn a phrase with the best of them, further proving that
comics tell the best stories period.
2 Outliers: The Story of Success-
I
have been flirting with this book for quite awhile and I finally decided to use
it in two classes this last semester. I’m glad I did. This might be Gladwell’s
best to date as he explores the idea of genius and legacy and how the two are
never mutually exclusive. It breathes hope into passion and tells the reader
that if they have a particular interest plus 10,000 hours to spare, then your
true calling is never out of reach.
3 Among the Thugs-
Bill
Buford’s non-fictional account of soccer fanatics (don’t you dare call them
hooligans) is up there with Hunter Thompson’s Hell’s Angels as a sociological yarn about society’s
unmentionables. It pulls the camera back and looks at Britain as an island
culture of desperation and anger, especially in the book’s framing in the
1980’s. This one creates it’s own world and throws the reader into the crush of a brutal subset of society.
4 Animal Man-
During
some downtime in Manhattan over the summer, I wandered around world famous
Midtown Comics and met this dude who quickly downloaded some potential series
that I might like. We talked Alan Moore for a bit until the comic nerd said, “Ever
read anything by Grant Morrison?” Boy, did that change my perception of what
comics could be. He told me to start with his freshman outing at DC, revitalizing
the lame duck character, Animal Man. I
got a compendium of the 89 issue series. It now stands as my favorite graphic
novel. It's psychedelic, weird, and extraordinarily meta. Grant Morrison is one
of the best storytellers alive.
5 V.A.L.I.S.-
Philip
K. Dick is a weird guy. This is one of his final books, a fictional retelling
of a nervous breakdown he had. It is one of the stranger rides one would take
in a psychedelic sci-fi—it involves drug use, pink beams that transmit from
UFOs into protagonist Horselover Fat’s brain and a strange hybrid of 1974 Los
Angeles and Ancient Rome. Dick is also a character in the book as well. It’s a strange
book that I can’t really recommend because it’s so bizarre. I’m not even sure I
liked it—but it did have some mind-blowing ideas contained within. This might
be an accurate description of Dick’s writing in general.
Movies:
1
Argo
Ben
Affleck is #winning as a director. He needs to not act anymore, but he doesn't
drag the rest of this stellar (often doppelgangers for their non fictional
counterparts) cast down in this thriller-cum-space opera. It matches Lincoln's
use “that guys" and uses humor when it's warranted. The plot never wavers
and its kinda nail-bitey towards the climax. If you don't like this film, you
hate the movie-going experience and all I have to say to you is
#argofuckyerself.
2
Looper
Looper
will twist your brain into a pretzel. I still don't know what it's fully about,
but I'm okay with this. I do know that Joseph Gordon-Levitt is a badass actor
(look to last year’s 50/50 and Hesher for further proof) and he went
all in on his spot-on Bruce Willis interpretation. Plus, the story is pretty
goddamn good too. Sci-fi is alive and well and it isn’t afraid to use its
brain.
3
Moonrise Kingdom
I
am constantly in an abusive relationship with Wes Anderson. I loved his first
three films (especially his first, Bottle
Rocket)—but Life Aquatic and Darjeeling Limited were both pretentious
messes that suffered from bloated budgets. Fantastic
Mr. Fox was great, but confusing—for I didn’t see Anderson making the
switch, fully, into kid’s films—even though a majority of his films seem like
kid films for adults—which might be the perfect description for Moonrise. This might be Anderson’s best.
He pulled back on the pretense a bit and allowed the characters to explore
their isolated island world. All of the adults pull out great performances
here—but the main characters of Sam and Suzy (played by great upstarts Jared
Gilman and Kara Hayward, respectively) are the real gems here. Sam Shakusky
might be one of the greatest film characters of all time once this film
marinates for a bit. And if he isn’t, it’s a godamned shame.
4
The Dark Knight Rises
I
feel obligated to choose this film because of both my allegiance to Batman and
Christopher Nolan—and even though this is a great flick, it doesn’t hold a
candle to its predecessor. But if this is my lone critique, I can live with it.
Truth is, this is a much more methodical and patient film than Dark Knight. The biggest payoff was the
end of the film, which left this writer’s eyes filled with milky tears. Nolan
maybe done with the franchise, but the story isn’t over—maybe the next director
of the series will pick-up right where Nolan left off. I would be okay with
this.
5
Lincoln
Daniel-Day
Lewis is the man. He proves it once again by reshaping our perception of the
notorious 16th president. I liked that Spielberg decided to go
against the typical biopic grain by isolating the story to the passing of the
13th amendment to abolish slavery in the United States. It showed
audiences that bickering in Washington is nothing new (or old?)—and it allowed
perspective to take as much as the spotlight as Lewis’ show-stopping
performance. And it completes Spielberg’s High School civics trilogy with Schindler’s List and Saving Private Ryan. This is an
important film.
6
Django Unchained
This
would be a great double-feature with Lincoln—as
long as Django is the first to be shown.
It could give the audience the problem, while my #5 offers up the solution.
That being said, Django might be
Tarantino’s funniest film. There is a scene early in the film, where a bunch of
upstart KKK members bicker over not seeing out of the holes in their masks—I
wet myself with amusement over the rednecks Monty Python-esque deconstruction
of the absurdity of the situation. Samuel L. Jackson gives one of his best
performances in years as the slave-hating slave, Stephen. Also, Christoph Waltz
is fast becoming a Tarantino go-to—showing his chops again as Dr. King (pun
intended?), a German bounty hunter with a heart of gold.
7 The Raid: Redemption
Holy shit was this a thrill ride. This Indonesian
gem was high and action and low on boredom. This is easily one of the best
action films ever made. Even if you hate subtitles, you will do very little
reading cuz the characters in this one talk mainly with fists and feet.
8
Killing Them Softly
To
be honest, I didn’t really like this one upon first seeing it. It was slow and
needlessly crude and violent. Plus, I didn’t get the whole parallel of the 2008
presidential election parable thingy. Then I read this article on Grantland and
it changed my mind. Every ten years or so, a movie like this is made—think Taxi Driver, Falling Down or Pitt’s
greatest film, Fight Club. It boils
down American frustration into violent fantasies of how to exist outside of the
status quo. Softly does this in
spades and I agree with Zach Brown’s assertion that, "the film may not be particularly beloved this
year — it's too obvious, too on-the-nose, too grindingly familiar — it will
probably be adored in another 10 or 20 years, when the grimy details of our
current moment are forgotten but the general foul aura of the last four years
remains.”
9
Sleepwalk with Me
Between
Mike Birbiglia’s
excellent comedy and Moshe Kasher’s book—it is clear that comedians in this
country can make great fucking art used as extensions of their craft. This is
a funny and poignant film about not only the difficulty of stand-up comedy as a
occupation, but it examines the rare condition of sleepwalking that Birbigs fights in real life. It also looks
at a modern relationship about as honestly as any film this season has.
10
Lawless
This
is a mediocre period film is soon forgotten if not for Tom Hardy, one of the
best in the bossiness. He was adequate as the heavy in Dark Knight Rises, but in this one, as one of the protagonists, he
gives a quiet, Aspergery kinda flare to his role as a bootlegger during
Prohibition.
Podcasts:
1
Ari Shaffir's Skeptic Tank - Christiana Pazsitzky
I
don't know why I loved this episode so much. Maybe it was one of the first
episodes I listened to of Shaffir s underrated show. Maybe it's because Pazsitzky
really opened up about growing up as a troubled Goth chick in Southern
California, talking about things I could relate to about being a minority
during her school years. Regardless of what it was, what you'll find here is
intimacy between two comedians who don't know much about each other until the
end of the show. It felt like a first date between two vulnerable and honest
people who speak the same language as me.
2
Joe Rogan Experience - Dennis McKenna
This
episode was on right before the dreaded 12/21/12 Mayan end date. Rogan and
McKenna talked a lot about Terence McKenna, Dennis' late brother who was a
psychedelic advocate during the 80s and 90s--a more intellectual Tim Leary if
you will. This was one of the best episodes of the Experience yet.
3
Adam and Drew - Episode 5
They're
back! Adam Carolla and Dr. Drew Pinsky are doing the Loveline thing again, this
time in podcast form. Loveline was easily my favorite radio show when Carolla
was on from 1995-2005. It took a few episodes, but the newest one, episode 5,
finds the comedian/doctor in their old groove with Adam hogging airtime and
Drew passive aggressively punching his microphone. Looking forward to a 2013
filled with this new show, twice a week.
4
The Duncan Trussell Family Hour - Dan Harmon
Dan
Harmon, former show runner for NBC's Community, talked to Duncan on a random
episode over the summer. The podcast is still on my Zune. Dan matched wits with
Duncan throughout as they discussed the possibilities that we are living in a
technological simulation--among other fascinating topics.
5
The B.S. Report - Malcolm Gladwell
One
of my favorite writers, Gladwell, made his podcast debut as he and Simmons
talked about PEDs and the 30 for 30 documentary 9.79*, about
Ben Johnson's gold medal stripping at the 1988 Olympics. These guys should make
their case for PED use in all sports to the UN/congress/Olympic Committee.
6
The Nerdist - Paul Williams
Paul
Williams, singer/songwriter of soundtracks of your favorite movies in the
70s/80s, talked to the Nerdist boys about his success and failures due to
alcoholism. I loved how self-deprecating Williams was about his boyish looks
and his honesty about how Hollywood has worked for a long time.
7 The Joe Rogan Experience - Alex Grey
Another
psychedelic hero joins Joe for crazy hippy drug talk. If you don’t know who is
Alex is, Google his name and hit images…I’ll wait. Now you know who he is, don’t
you? He was a great guest who politely disagreed with Joe’s gloomy outlook for
humanity. Grey, as it turns out, is an eternal optimist who is soft-spoken, yet
heavily articulate. This was podcast gold.
8
WTF with Marc Maron - Tenacious D
I’m
lukewarm on Maron’s show for the most part, but he’s been interviewing a lot of
great musicians of late because, well, he’s running out of comedians (one of
his rules is that he doesn't double-up on guests, once they are on, he doesn't ask them back). Tenacious D (my number 4 album of the year) stopped in as a
sort of comedian/musician hybrid—ushering in a new era of Maron’s sometimes
great show. Jables and Kage brought their great energy to show and often had
Maron choking on his own laughter. Later in the ep, Maron phones comedian-buddy
Mike Birbiglia about
the premier of number 10 movie of the year, Sleepwalk
with Me.
9
The Joe Rogan Experience - Maynard James Keenan
One
of my favorite musicians of all-time gave a long-form interview with Rogan
about wine, drugs and weird mysticism. Maynard is a hard guy to get anything
out of—but Rogan’s attention to subject matter that Maynard cares about kept
the flow going. Even in the parts where Rogan’s dim-witted sidekick, Redban, tried
too hard to ask about Tool and A Perfect Circle—Rogan quickly swooped in with
his patented, “Oh. Brian.” MJK is one smart mutherfucker.
10
The Joe Rogan Experience - Duncan Trussell (any episode)
They must have done at least 10 episodes this year and they all are blurred into one
giant resin ball in my mind. This is one of the best verbal pairings in all
history. Looking forward to more podcasts from these two psychedelic visionaries
in 2013.
1 comment:
I've been reading your other posts and must say I'm pretty impressed! Quite a mixture but then again I never really stick to one genre of music/tv/book so that's probably why I like it so much!
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